by E.Ashford
Memory 01 · A BRI Universe Novel Daniel Ash thought moving to No.18, Ash Street would be the beginning of a better life. He was wrong. The house never whispered. It never chased anyone through dark hallways. It never demanded blood. It simply refused to let a family become incomplete. As records quietly rewrite themselves and memories begin to disagree with reality, Daniel finds himself fighting an enemy that leaves no evidence behind—only a world that insists things have always been this way. Some horrors hide in the dark. Others patiently rewrite the light. A slow-burn psychological horror about memory, family, and the terrifying logic of reality. No monsters. No chosen ones. Only rules.
| # | Title | Words |
|---|---|---|
| 1 | PROLOGUE | 0 |
| 2 | THE KEYS | 0 |
| 3 | THE ROOM ABOVE | 0 |
| 4 | THE KITCHEN | 0 |
| 5 | THE RADIO | 0 |
| 6 | THE NEIGHBOUR |
| 0 |
| 7 | FIRST DINNER | 0 |
| 8 | BREAKFAST | 0 |
| 9 | WORKDAY | 0 |
| 10 | COLLECTION DAY | 0 |
| 11 | NEW SCHOOL | 0 |
| 12 | THE BARBECUE | 0 |
| 13 | THE HOUSE SETTLES | 0 |
| 14 | THE CUPBOARD | 0 |
| 15 | FOUR OR THREE | 0 |
| 16 | STILL HERE | 0 |
| 17 | FAMILY HISTORY | 0 |
| 18 | THE OLD PHOTOGRAPHS | 0 |
| 19 | THE CALL | 0 |
| 20 | THE CLAIM FILE | 0 |
| 21 | MEASURE TWICE | 0 |
| 22 | THE BASEMENT NOTE | 0 |
| 23 | 1983 | 0 |
| 24 | SIMON PELL | 0 |
| 25 | THE FIRST DEATH | 0 |
| 26 | ONE NORMAL DAY | 0 |
| 27 | THE CAKE | — |
| 28 | THE SONG | — |
| 29 | THE TRUTH AT DINNER | — |
| 30 | THE DECISION | — |
| 31 | THE FIRST MOVE | — |
| 32 | RETURN | — |
| 33 | THE MOVERS | — |
| 34 | THE LAWYER | — |
| 35 | CALEB ROSS | — |
| 36 | RESPONSIBILITY | — |
| 37 | THE SMALLEST CORRECTION | — |
| 38 | ARTHUR | — |
| 39 | WHAT REMAINS | — |
| 40 | ELEANOR'S PRACTICE | — |
| 41 | THE MOTHER | — |
| 42 | GOODBYE WITHOUT A WORD | — |
| 43 | NOTICE | — |
| 44 | THE GIRL UPSTAIRS | — |
| 45 | LILY'S SCHOOL | — |
| 46 | THE DRAWING | — |
| 47 | LILY | — |
| 48 | THE RULE | — |
| 49 | LEAVING | — |
| 50 | THE ADDRESS | — |
| 51 | THE EMPTY HOUSE | — |
| 52 | THE REVIEWERS | — |
| 53 | FOUR IMPRESSIONS | — |
| 54 | PROVISIONAL | — |
| 55 | THE FILE | — |
| 56 | LOOK LIKE YOURSELF | — |
| 57 | THE ASSESSMENT | — |
| 58 | THE PASSENGER | — |
| 59 | THE GOOD PICTURE | — |
| 60 | DELAYED GLASS | — |
| 61 | CONTAMINATED CONTINUITY | — |
| 62 | THE GREEN DOOR | — |
| 63 | OLDER THAN THE NETWORK | — |
| 64 | WHO AM I TODAY? | — |
| 65 | THE MEMORIAL ALBUM | — |
| 66 | MATCH CONFIDENCE | — |
| 67 | THE PERSON BEFORE YOU | — |
| 68 | DORMANT IMAGES | — |
| 69 | CONSENT FORM | — |
| 70 | CONTROL CONDITIONS | — |
| 71 | REPEAT | — |
| 72 | THE OLD HUSBAND | — |
| 73 | CLEAN DATA | — |
| 74 | TEMPORARY PROCEDURE | — |
| 75 | OTHER PEOPLE'S EYES | — |
| 76 | THE LOCKED ROUTE | — |
| 77 | FALSE START | — |
| 78 | ONE BREATH EARLY | — |
| 79 | PROTOCOL FAILURE | — |
| 80 | THE LIST | — |
| 81 | REGISTERED MARTIN | — |
| 82 | AUTHORITY SPREADS | — |
| 83 | TWO PHOTOGRAPHS | — |
| 84 | AN HOUR WITH RUTH | — |
| 85 | AUTHORITATIVE LIKENESS | — |
| 86 | EXPECTED PURCHASES | — |
| 87 | EASIER PEOPLE | — |
| 88 | THE MISSING SWEETNESS | — |
| 89 | TIME BOUGHT | — |
| 90 | WHAT DID NOT RETURN | — |
| 91 | THE DISTRICT AGREES | — |
| 92 | CONTINUITY CIRCLES | — |
| 93 | PROVENANCE | — |
| 94 | THE FIRST FACE | — |
| 95 | I REMEMBER | — |
| 96 | USEFUL INTENTION | — |
| 97 | NO ORIGINAL | — |
| 98 | OPERATIVE OBSERVATION | — |
| 99 | REFUSE THE LIST | — |
| 100 | THE HIDDEN PHOTOGRAPH | — |
| 101 | SEVERAL SISTERS | — |
| 102 | NO SINGLE FACE | — |
| 103 | ONE BREATH | — |
| 104 | MATTE MORNING | — |
| 105 | LIVING GRIEF | — |
| 106 | ASK ME FIRST | — |
| 107 | THE REMAINING HOUR | — |
| 108 | LIMITED AUTHORISATION | — |
| 109 | THE ANNOTATION | — |
| 110 | NIGHT WINDOW | — |
| 111 | THE UNDERPASS | — |
| 112 | PRESENT | — |
| 113 | AT SIX | — |
| 114 | RIGHT | — |
| 115 | CALL TAKEN | — |
| 116 | THE WRONG PUPIL | — |
| 117 | A STORY WITHOUT A NAME | — |
| 118 | TWO KNOCKS | — |
| 119 | BETWEEN LISTS | — |
