The Death of Arthur

A book that should exist—but doesn’t. A man who should write it—but refuses. When a celestial department decides to impose a code of chivalry on a chaotic medieval world, they choose Sir Thomas Malory as their instrument. There’s only one problem. Malory is not a writer. He is a gambler, a manipulator, and a man who answers to no rules but his own. As competing forces struggle to shape the narrative—culture, passion, and control collide— and the story begins to resist its creators. As competing forces clash over control of narrative, emotion, and structure, the story begins to resist its creators — and rewrite itself.