by Tomb_Spyder
A man awakens to find he has become an alien being known as a Gem. More specifically, he, now she, is a Pearl, a member of the Gem Empire's dedicated slave caste.This, for a vast variety of different reasons, is a problem. One that this particular Pearl is rather intent on solving.(SRL as a story is set in the world of Steven Universe, though with large gaps that the show never elaborated upon filled in with original content.)
| # | Title | Words |
|---|---|---|
| 1 | LOG-001. | 0 |
| 2 | LOG-002. | 0 |
| 3 | LOG-003. | 0 |
| 4 | LOG-004. | 0 |
| 5 | LOG-005. | 0 |
| 6 | My Pearl cannot be this weird! (by Bot105) |
| 0 |
| 7 | LOG-006. | 0 |
| 8 | LOG-007. | 0 |
| 9 | LOG-008. | 0 |
| 10 | Sixteen A: A Dance of Disappointment. (By Glazt) | 0 |
| 11 | LOG-009. | 0 |
| 12 | LOG-010. | 0 |
| 13 | LOG-011. | 0 |
| 14 | LOG-012. | 0 |
| 15 | LOG-013. | 0 |
| 16 | Emerald's No Good Very Bad Day (By Drich) | 0 |
| 17 | LOG-014. | 0 |
| 18 | LOG-015. | 0 |
| 19 | LOG-016. | 0 |
| 20 | LOG-017. | 0 |
| 21 | LOG-018. | 0 |
| 22 | LOG-019. | 0 |
| 23 | LOG-020. | 0 |
| 24 | LOG-021. | 0 |
| 25 | LOG-022. | 0 |
| 26 | LOG-023. | 0 |
| 27 | LOG-024. | 0 |
| 28 | LOG-025. | 0 |
| 29 | LOG-026. | 0 |
| 30 | LOG-027. | 0 |
| 31 | LOG-028. | 0 |
| 32 | LOG-029. | 0 |
| 33 | Emerald's Second No Good Very Bad Day. (By Drich) | 0 |
| 34 | LOG-030. | 0 |
| 35 | LOG-031. | 0 |
| 36 | LOG-032. | 0 |
| 37 | LOG-033. | 0 |
| 38 | LOG-034. | 0 |
| 39 | LOG-035. | 0 |
| 40 | LOG-036. | 0 |
| 41 | LOG-037. | 0 |
| 42 | LOG-038. | 0 |
| 43 | LOG-039. | 0 |
| 44 | LOG-040. | 0 |
| 45 | LOG-041. | 0 |
| 46 | LOG-042. | 0 |
| 47 | LOG-043. | 0 |
| 48 | LOG-044. | 0 |
| 49 | LOG-045. | 0 |
| 50 | LOG-046. | 0 |
| 51 | LOG-047. | 0 |
| 52 | LOG-048. | 0 |
| 53 | LOG-049. | 0 |
| 54 | LOG-050. | 0 |
| 55 | LOG-051. | 0 |
| 56 | LOG-052. | 0 |
| 57 | LOG-053. | 0 |
| 58 | LOG-054. | 0 |
| 59 | LOG-055. | 0 |
| 60 | LOG-056. | 0 |
| 61 | LOG-057. | 0 |
| 62 | LOG-058. | 0 |
| 63 | LOG-059. | 0 |
| 64 | LOG-060. | 0 |
| 65 | LOG-061. | 0 |
| 66 | LOG-062. | 0 |
| 67 | LOG-063. | 0 |
| 68 | LOG-064. | 0 |
| 69 | LOG-065. | 0 |
| 70 | LOG-066. | 0 |
| 71 | LOG-067. | 0 |
| 72 | LOG-068. | 0 |
| 73 | LOG-069. | 0 |
| 74 | LOG-070. | 0 |
| 75 | LOG-071. | 0 |
| 76 | LOG-072. | 0 |
| 77 | LOG-073. | 0 |
| 78 | Human Culture. (By Drich) | 0 |
| 79 | LOG-074. | 0 |
| 80 | LOG-075. | 0 |
| 81 | LOG-076. | 0 |
| 82 | LOG-077. | 0 |
| 83 | LOG-078. | 0 |
| 84 | LOG-079. | 0 |
| 85 | LOG-080. | 0 |
| 86 | LOG-081. | 0 |
| 87 | LOG-082. | 0 |
| 88 | LOG-083. | 0 |
| 89 | LOG-084. | 0 |
| 90 | LOG-085. | 0 |
| 91 | LOG-086. | 0 |
| 92 | Cracking Pearl. (By Adianthum) | 0 |
| 93 | LOG-087. | 0 |
| 94 | LOG-088. | 0 |
| 95 | LOG-089. | 0 |
| 96 | LOG-090. | 0 |
| 97 | LOG-091. | 0 |
| 98 | LOG-092. | 0 |
| 99 | LOG-093. | 0 |
| 100 | LOG-094. | 0 |
| 101 | LOG-095. | 0 |
| 102 | LOG-096. | 0 |
| 103 | LOG-097. | 0 |
| 104 | LOG-098. | 0 |
| 105 | LOG-099. | 0 |
| 106 | LOG-100. | 0 |
| 107 | LOG-101. | 0 |
| 108 | LOG-102. | 0 |
| 109 | Yellow Thoughts. (By YodaMorpheus7) | 0 |
| 110 | LOG-103. | 0 |
| 111 | LOG-104. | 0 |
| 112 | LOG-105. | 0 |
| 113 | LOG-106. | 0 |
| 114 | LOG-107. | 0 |
| 115 | LOG-108. | 0 |
| 116 | LOG-109. | 0 |
| 117 | LOG-110. | 0 |
| 118 | LOG-111. | 0 |
| 119 | LOG-112. | 0 |
| 120 | LOG-113. | 0 |
| 121 | LOG-114. | 0 |
| 122 | LOG-115. | 0 |
| 123 | LOG-116. | 0 |
| 124 | LOG-117. | 0 |
| 125 | LOG-118. | 0 |
| 126 | LOG-119. | 0 |
| 127 | LOG-120. | 0 |
| 128 | LOG-121. | 0 |
| 129 | LOG-122. | 0 |
| 130 | LOG-123. | 0 |
| 131 | LOG-124. | 0 |
| 132 | LOG-125. | 0 |
| 133 | LOG-126. | 0 |
| 134 | LOG-127. | 0 |
| 135 | LOG-128. | 0 |
| 136 | LOG-129. | 0 |
| 137 | LOG-130. | 0 |
| 138 | LOG-131. | 0 |
| 139 | LOG-132. | 0 |
| 140 | What's The Use In Feeling, Blue? (By YodaMorpheus7) | 0 |
| 141 | LOG-133. | 0 |
| 142 | LOG-134. | 0 |
| 143 | LOG-135. | 0 |
| 144 | LOG-136. | 0 |
| 145 | LOG-137. | 0 |
| 146 | LOG-138. | 0 |
| 147 | LOG-139. | 0 |
| 148 | LOG-140. | 0 |
| 149 | LOG-141. | 0 |
| 150 | LOG-142. | 0 |
| 151 | LOG-143. | 0 |
| 152 | LOG-144. | 0 |
| 153 | LOG-145. | 0 |
| 154 | LOG-146. | 0 |
| 155 | LOG-147. | 0 |
| 156 | LOG-148. | 0 |
| 157 | LOG-149. | 0 |
| 158 | LOG-150. | 0 |
| 159 | LOG-151. | 0 |
| 160 | LOG-152. | 0 |
| 161 | LOG-153. | 0 |
| 162 | LOG-154. | 0 |
| 163 | LOG-155. | 0 |
| 164 | LOG-156. | 0 |
| 165 | LOG-157. | 0 |
| 166 | LOG-158. | 0 |
| 167 | LOG-159. | 0 |
| 168 | LOG-160. | 0 |
| 169 | LOG-161. | 0 |
| 170 | LOG-162. | 0 |
| 171 | LOG-163. | 0 |
| 172 | LOG-164. | 0 |
| 173 | LOG-165. | 0 |
| 174 | LOG-166. | 0 |
| 175 | LOG-167. | 0 |
| 176 | LOG-168. | 0 |
| 177 | LOG-169. | 0 |
| 178 | LOG-170. | 0 |
| 179 | LOG-171. | 0 |
| 180 | Trapped. (written by forthisnotalwaysforward, edited by Tomb Spyder) | 0 |
| 181 | LOG-172. | 0 |
| 182 | LOG-173. | 0 |
| 183 | LOG-174. | 0 |
| 184 | LOG-175. | 0 |
| 185 | LOG-176. | 0 |
| 186 | LOG-177. | 0 |
| 187 | LOG-178. | 0 |
| 188 | LOG-179. | 0 |
| 189 | LOG-180. | 0 |
| 190 | LOG-181. | 0 |
| 191 | LOG-182. | 0 |
| 192 | LOG-183. | 0 |
| 193 | LOG-184. | 0 |
| 194 | LOG-185. | 0 |
| 195 | LOG-186. | 0 |
| 196 | LOG-187. | 0 |
| 197 | LOG-188. | 0 |
| 198 | LOG-189. | 0 |
| 199 | LOG-190. | 0 |
| 200 | LOG-191. | 0 |
| 201 | LOG-192. | 0 |
| 202 | LOG-193. | 0 |
| 203 | LOG-194. | 0 |
| 204 | LOG-195. | 0 |
| 205 | LOG-196. | 0 |
| 206 | LOG-197. | 0 |
| 207 | LOG-198. | 0 |
| 208 | LOG-199. | 0 |
| 209 | LOG-200. | 0 |
| 210 | LOG-201. | 0 |
| 211 | LOG-202. | — |
| 212 | LOG-203. | — |
| 213 | LOG-204. | — |
| 214 | LOG-205. | — |
| 215 | LOG-206. | — |
| 216 | LOG-207. | — |
| 217 | LOG-208. | — |
| 218 | LOG-209. | — |
| 219 | LOG-210. | — |
| 220 | LOG-211. | — |
| 221 | LOG-212. | — |
